FF Classic Prime Line | Cine Lenses

State-of-the-art resolution meets
the classic “look”.
SIGMA CINE LENS
welcomes a new series
"FF Classic Prime Line" to the lineup.

With cutting-edge technology,
SIGMA's new "Classic Art Prime"
offers unrivaled expression for artists.

FF High Speed Prime Line has been offering the highest resolving power in its class, that is compatible with 8K shooting with large format sensors, while achieving outstanding compact design. Based on this product line, the FF Classic Prime Line incorporates more non-coated optical elements to achieve unrivaled expression. It retains the high resolution capability that SIGMA CINE LENS is well known for, and offers a unique combination of low contrast and artistic flare/ghost in the image. As with all other lenses from the FF High Speed Prime Line, it creates beautiful bokeh effects to improve creativity.

FF Classic Prime Line has implemented newly developed coatings on the glass elements and offers consistent T value across the lineup (14mm and 135mm at T3.2 and the rest of the lenses at T2.5). This will greatly contribute to the effective workflow in postproduction. Furthermore, it is compatible with the communication protocol of Cooke “/i Technology”, thus an ideal tool for shooting and editing with the latest technology, such as VFX. A special coating is implemented on the front and rear elements so that the lens durability is ensured as with all other cine lenses from SIGMA.

“Classic Art Prime” is a new solution from SIGMA that is required for the most advanced technology for classical expression. The “look” that FF Classic Prime Line can offer will enable cinematographers to explore new possibilities in movie creation.

The highest quality, in every detail. "Aizu-nuri" featured

SIGMA always pursues “the best materials and technology” without compromise to achieve the highest quality. The Classic Art Prime series is no exception, and the policy is even alive in the logo. To identify the lens in the shooting scene using a wide variety of lenses, and to provide the texture and quality suitable for professional tools, and the durability to support the harsh environment of cinema lenses. Aizu-nuri (Aizu lacquering) was the solution for the “Classic” logo. Fortunately the best technique was at our production site, Aizu.

FF Classic Prime Line Short movie “Operator”

Behind the Scenes of “Operator”

14mm T3.2FF

20mm T2.5 FF

24mm T2.5 FF

28mm T2.5 FF

35mm T2.5 FF

40mm T2.5 FF

50mm T2.5 FF

85mm T2.5 FF

105mm T2.5 FF

135mm T3.2 FF

14mm T3.2FF

20mm T2.5 FF

24mm T2.5 FF

28mm T2.5 FF

35mm T2.5 FF

40mm T2.5 FF

50mm T2.5 FF

85mm T2.5 FF

105mm T2.5 FF

135mm T3.2 FF

14mm

20mm

24mm

28mm

35mm

40mm

50mm

85mm

105mm

135mm

T3.2 to T25

T2.5 to T25

T3.2 to T25

9 (Rounded diaphragm)

0.27m / 11″

0.276m / 11″

0.25m / 10″

0.30m / 1′

0.40m / 1′4″

0.85m / 2′10″

1.00m / 3′4″

0.875m / 2′11″

95mm

82mm

86mm

82mm

PL Mount (/i Technology compatible)
111.5mm / 4.4in.

PL Mount (/i Technology compatible)
110mm / 4.3in.

PL Mount (/i Technology compatible)
87mm / 3.4in.

PL Mount (/i Technology compatible)
99.7mm / 3.9in.

PL Mount (/i Technology compatible)
87mm / 3.4in.

PL Mount (/i Technology compatible)
123mm / 4.8in.

PL Mount (/i Technology compatible)
94mm / 3.7in.

PL Mount (/i Technology compatible)
118.9mm / 4.7in.

PL Mount (/i Technology compatible)
126.2mm / 5.0in.

PL Mount (/i Technology compatible)
106.9mm / 4.2in.

PL Mount (/i Technology compatible)
1,355g / 47.8oz.

PL Mount (/i Technology compatible)
1,255g / 44.3oz.

PL Mount (/i Technology compatible)
1,035g / 36.5oz.

PL Mount (/i Technology compatible)
1,285g / 45.3oz.

PL Mount (/i Technology compatible)
1,050g / 37.0oz.

PL Mount (/i Technology compatible)
1,495g / 52.7oz.

PL Mount (/i Technology compatible)
1,215g / 42.9oz.

PL Mount (/i Technology compatible)
1,370g / 48.3oz.

PL Mount (/i Technology compatible)
1,730g / 61.0oz.

PL Mount (/i Technology compatible)
1,445g / 51.0oz.

104.3°

84.0°

73.7°

65.5°

54.4°

48.5°

39.6°

23.9°

19.5°

15.2°

82.6°

63.2°

54.3°

47.4°

38.7°

34.2°

27.6°

16.5°

13.4°

10.4°

80.5°

61.3°

52.6°

45.9°

37.4°

33.0°

26.7°

15.9°

12.9°

10.0°

* 1 Close focus distance is measured from the image plane
* 2 Front to mount flange
* 3 Without lens support foot
* 4 Horizontal angle of view for a full-frame camera aperture (aspect ratio 1:1.5, dimensions 36mm × 24mm / 1.42″ × 0.94″)
* 5 Horizontal angle of view for a super 35 digital cinema camera aperture (aspect ratio 1:1.8, dimensions 24.6mm × 13.8mm / 0.97″ × 0.54″)
* 6 Horizontal angle of view for an APS-C camera aperture (aspect ratio 1:1.5, dimensions 23.7mm × 15.7mm / 0.93″ × 0.62″)
The specifications are subject to change without notice.

[Common specifications]
Image circle diameter: FF 43.3mm, Illumination circle diameter: over 46.3mm, Focus ring: Marked in feet

Cap, Lens Support Foot Supplied.

00-85126-93777-5(feet)
00-85126-93778-2(meter)

Only sold as a set of 10 primes.
Please contact your nearest service center for more information.
Contact

Support

FF Classic Prime

COVER CINE LENS CAP LC950-01

Compatible lenses
FF Zoom Line : 24-35mm T2.2 FF

High Speed Zoom Line : 18-35mm T2, 50-100mm T2

FF High Speed Prime Line : 24mm T1.5 FF, 35mm T1.5 FF, 50mm T1.5 FF, 85mm T1.5 FF, 135mm T2

FF Classic Prime Line : 24mm T2.5 FF, 35mm T2.5 FF, 50mm T2.5 FF, 85mm T2.5 FF, 135mm T3.2 FF

Barcode No.: 00-85126-93327-2

Contact

COVER CINE LENS CAP LC950-02

Compatible lenses
FF High Speed Prime Line : 14mm T2 FF, 20mm T1.5 FF

FF Classic Prime Line : 14mm T3.2 FF, 20mm T2.5 FF

Barcode No.: 00-85126-93429-3

Contact

REAR CAP LCR Ⅱ

* The image is for SIGMA.

PL mount (/i Technology compatible)

Barcode No.

00-85126-93430-9

Contact

LENS SUPPORT FOOT SF-11

Compatible lenses
High Speed Zoom Line : 18-35mm T2

FF High Speed Prime Line : 20mm T1.5 FF, 24mm T1.5 FF, 28mm T1.5 FF, 35mm T1.5 FF, 50mm T1.5 FF

FF Classic Prime Line : 20mm T2.5 FF, 24mm T2.5 FF, 28mm T2.5 FF, 35mm T2.5 FF, 50mm T2.5 FF

Barcode No.: 00-85126-93329-6

Contact

LENS SUPPORT FOOT SF-31

Compatible lenses
FF High Speed Prime Line : 40mm T1.5 FF, 85mm T1.5 FF, 135mm T2 FF

FF Classic Prime Line : 40mm T2.5 FF, 85mm T2.5 FF, 135mm T3.2 FF

Barcode No.: 00-85126-93331-9

Contact

LENS SUPPORT FOOT SF-41

Compatible lenses
FF High Speed Prime Line : 14mm T2 FF

High Speed Zoom Line : 50-100mm T2

FF Classic Prime Line : 14mm T3.2 FF

Barcode No.: 00-85126-93332-6

Contact

LENS SUPPORT FOOT SF-51

Compatible lenses
FF High Speed Prime Line : 105mm T1.5 FF

FF Classic Prime Line : 105mm T2.5 FF

Barcode No.: 00-85126-93675-4

Contact

SF EXTENDER SF-E1

By attaching this SF-E1 to a SIGMA CINE LENS support foot ensures compatibility with the φ19mm studio rod lens support system.

Barcode No.: 00-85126-93647-1

Contact

POLYMER MULTI-CASE PMC-002

This is a hard case to store Cine lenses.

Compatible lenses
FF High Speed Prime Line : 20mm T1.5 FF, 24mm T1.5 FF, 35mm T1.5 FF, 50mm T1.5 FF, 85mm T1.5 FF

FF Classic Prime Line : 20mm T2.5 FF, 24mm T2.5 FF, 35mm T2.5 FF, 50mm T2.5 FF, 85mm T2.5 FF

Barcode No.: 00-85126-93349-4

Contact

POLYMER MULTI-CASE PMC-003

This is a hard case to store Cine lenses.

Compatible lenses
FF High Speed Prime Line : 14mm T2 FF, 135mm T2 FF

FF Classic Prime Line : 105mm T2.5 FF, 135mm T3.2 FF

Barcode No.: 00-85126-93455-2

Contact

POLYMER MULTI-CASE PMC-004

This is a hard case to store Cine lenses.

Compatible lenses
FF High Speed Prime Line : 14mm T2 FF, 20mm T1.5 FF, 24mm T1.5 FF, 35mm T1.5 FF, 50mm T1.5 FF, 85mm T1.5 FF, 135mm T2 FF

FF Classic Prime Line : 14mm T3.2 FF, 20mm T2.5 FF, 24mm T2.5 FF, 35mm T2.5 FF, 50mm T2.5 FF, 85mm T2.5 FF, 135mm T3.2 FF

Barcode No.: 00-85126-93648-8

Contact

POLYMER MULTI-CASE PMC-005

This is a hard case to store Cine lenses.

Compatible lenses
FF High Speed Prime Line : 14mm T2 FF, 28mm T1.5 FF, 40mm T1.5 FF, 105mm T1.5 FF, 135mm T2 FF

FF Classic Prime Line : 14mm T3.2 FF, 28mm T2.5 FF, 40mm T2.5 FF, 105mm T2.5 FF, 135mm T3.2 FF

Barcode No.: 00-85126-93713-3

Contact

CLAMP-ON RING 162MM COR-11

The Clamp-On Ring 162mm COR-11 is an accessory exclusively designed for the SIGMA 14mm T2 FF and 14mm T3.2 FF, and it extends the front diameter to 162mm.By attaching it to wide-angle matte box compatible with 6.6″ x 6.6″ in. square type filters such as the ARRI LMB-6 (2-stage) , it will allow cinematographers to film on full frame cameras without causing vignetting.