THE FP2 CAMERA

SMALL,
POWERFUL,
ADAPTABLE

The Sigma FP2 is a camera fully designed around human creativity. Purposefully deconstructed, its identity rests on three core principles: small, powerful, adaptable. Equipped with a full-frame sensor, it remains light and pocketable, achieving the world’s smallest*1 body. It scales to its user, offers functionality without clutter, and switches seamlessly between Still and Cine, each with its own workflow and dedicated UI.

Even in the digital age, taking a photograph is a deeply physical process. There is a powerful connection between the experience of using a camera and the philosophy behind its design. How it feels to hold and use the camera guides how you see and capture the world.

*1 As of October 2026, by Sigma.

A LIGHT, POCKETABLE AND FULL-FRAME CAMERA.

THIS IS YOUR CAMERA

Photography reveals deep, fundamental truths about the subject in front of the camera, the photographer behind it and the relationship between them. It is a personal form of expression. Even given the same circumstances, no two people will ever take the same picture.

This is why we believe the photographer should not need to adapt to their camera. In our view, the ideal camera is one that fits seamlessly into the individual preferences, requirements, and style of the photographer. It should be a natural extension of the photographer’s physical and mental self; a true tool whose presence disappears in use. This is the belief behind Sigma’s approach to camera design.

Full-frame expressive power and
wide dynamic range

At the heart of the Sigma FP2 is an advanced full-frame sensor that captures images with exceptional resolution, rendering power, depth of color and subtle tonal gradation. Its uncompromising performance gives photographers the freedom to capture any scene or subject, no matter the shooting conditions.

CAPTURED WITH FP2 BY MIN HYUNWOO

CAPTURED WITH FP2 BY MIN HYUNWOO

CAPTURED WITH FP2 BY MIN HYUNWOO

CAPTURED WITH FP2 BY OLYA OLEINIC

CAPTURED WITH FP2 BY OLYA OLEINIC

CAPTURED WITH FP2 BY BORJA LLORENS

CAPTURED WITH FP2 BY BORJA LLORENS

Color modes for creative freedom
in photography

Thirteen color modes, selectable with the dedicated “Color” button, enable intuitive and unrestricted creative expression . Developed on the basis of Sigma’s own color science, this diverse range of preset modes lets photographers craft the tone of their work, capture the atmosphere of the moment and bring out the full appeal of their photography.

Sigma’s foundational color mode, delivering faithful, well-balanced color reproduction across a wide range of subjects.

Inspired by the vibrant colors and exuberance of 1970s–1990s films, this mode creates a rich, evocative world of color with a single turn of the dial.

Inspired by the soft cinematic tones of 1960s–1970s films, this mode pairs subdued contrast with unexpectedly striking reds to evoke stillness and emotion.

By lightly lifting midtones, this mode creates a clear, airy feel, bringing out the luminous clarity of cool blues.

Featuring subdued tones and warm hues, this mode creates a mellow atmosphere, combining expressive storytelling with versatility across a wide range of scenes.

Inspired by contemporary cinematic grading, this mode highlights orange skin tones and complementary teals for vivid, striking photographs.

Recreating the distinctive deep blues of the Foveon sensor in Sigma’s first digital camera, the SD9, this mode renders memorable, striking blue skies.

Inspired by the Foveon-equipped SD14, this mode emphasizes yellow tones, blending vermilion-like reds and cyan-leaning blues for a warm atmosphere.

Recreating the vividness of slide film, this mode captures lush greens to highlight the vitality of plants and flowers.

Inspired by twilight filters, this mode emphasizes reddish-purple-to-orange gradients for dramatic sunrises and sunsets.

Inspired by bleach bypass processing, this mode combines a yellow shift, subdued saturation, and pronounced shadows for a nostalgic cinematic feel.

Based on Rec.709 video standard, this mode delivers natural, understated cinematic tones close to human vision, without excessive stylization.

Focusing on delicate tonal gradations, this mode offers ten distinct toning effects to explore a rich world of monochrome expression.

A true evolution of the fp series

The Sigma FP2 inherits the innovative concept of the original fp, along with the distinctive character that made it one-of-a-kind. At the same time, every element and function of the camera has been reexamined and refined to create a more intuitive and expressive shooting experience, making the FP2 a true evolution of the fp series.

A NEW FREEDOM IN FRAMING

  • Tilting LCD for broader perspectives
  • Dedicated external electronic viewfinder for focused shooting

While keeping its compact body, the Sigma FP2 features a tilting LCD that tilts up 90° and down 45°. From low angles to high angles, it broadens the photographer’s perspective.

Easily attached to and detached from the camera via a single USB-C port, the high-resolution, high-luminance electronic viewfinder helps photographers feel deeply immersed in their photography. Its tilting mechanism angles upward by up to 90°, making it comfortable to shoot not only at eye level but also at waist level.

24.5-megapixel partially stacked CMOS sensor

The high-performance partially stacked CMOS sensor delivers outstanding rendering power, advanced AF performance and excellent dynamic range. Its high-speed readout significantly reduces rolling shutter distortion, enabling even faster continuous shooting and video recording at high frame rates.

Advanced AF performance +

With improved accuracy, speed and low-light performance, the sophisticated AF system captures subjects reliably, so decisive moments are never missed. In addition to people and animals, the advanced subject detection function now also recognizes birds.

High-capacity battery +

While maintaining the compact size that defines the fp series, the Sigma FP2 achieves approximately 30% longer battery life than the original fp. Its high-capacity battery can capture approximately 370 still images or about 130 minutes of video, enabling extended shooting sessions.

70GB
of internal
storage

70GB of internal storage

In addition to an SD card slot, the Sigma FP2 features 70GB of internal storage that supports high-speed writing. It allows recording to continue seamlessly when the memory card is full and ensures comfortable shooting in situations that call for additional capacity.

High-speed continuous shooting at up to approx. 20fps +

The Sigma FP2 can shoot continuously at up to approx. 20fps, for up to 200 frames in a single burst. Even in critical moments where a split second makes all the difference , it captures the shot with confidence.

MANUFACTURED IN AIZU

Like all Sigma products, the FP2 is fully manufactured and assembled in our factory in Aizu, Japan. Its precise build quality, reliability, and sensory qualities are made possible by our unique production system and the expertise and craftsmanship of our skilled staff.
Every texture, material, and detail has been carefully chosen to complement the precision and sensitivity of the human hand. Each element serves a purpose, enabling photographers to work and express themselves in their own way.

BUILD QUALITY, RELIABILITY AND SENSORY
QUALITIES DEFINE THE FP2.

THE SIGMA FACTORY IN AIZU, JAPAN.

TEXTURES AND MATERIALS CHOSEN TO
COMPLEMENT THE HUMAN HAND.

CAPTURED
WITH FP2

The following series were captured with the Sigma FP2. Taken by three renowned artists known for their unique styles, these works showcase different approaches to photography and filmmaking, revealing the camera’s expressive capabilities.

OLYA OLEINIC

Isolating gestures, body shapes and silhouettes, Olya Oleinic extends her impressions beyond the original moment, resulting in a series of images that exist in a space between description and transformation.

EXPLORE

MIN HYUNWOO

In Min Hyunwoo’s work, moments of connection evoke a sense of longing for what can happen only once. In Nepal, Hyunwoo was living alongside local people and creating images for his ongoing project “Your eyes”.

EXPLORE

BORJA LLORENS

Spanish cinematographer Borja Llorens returned to the coast of Alicante to visually explore his relationship with water through kayaking, cave exploration, and night diving.

EXPLORE

A full-fledged cinema camera
at the flip of a switch

The Sigma FP2 is both a still camera and a full-fledged cinema camera. A single dedicated switch on the top of the body instantly toggles between STILL mode and CINE mode, each with functions, a user interface and a workflow fully optimized for that mode. Optimized for the creative production process and highly customizable, the FP2 is a true cinema camera capable of cinema-quality imagery, offering both mobility and performance in an exceptionally compact and lightweight body.

A compact, dedicated cinema camera

Transforming to suit its setup, the Sigma FP2 serves as a compact full-frame digital cinema camera for a wide range of video production. With a wealth of functions packed into its compact body, it covers every type of production, from personal vlogs and fly-on-the-wall documentaries to high-end film and TV productions.

Professional Cine Features

  • 6K OpenGate recording
  • Up to 14.1 stops*2 of dynamic range
  • 32-bit float audio recording*3
  • Support for advanced post-production
  • Director’s Viewfinder function

The Sigma FP2 supports 6K OpenGate recording, capturing every bit of information from the full-frame sensor. Footage can be adapted to a variety of formats with different aspect ratios while maintaining high image quality, supporting video production in the multi-platform era.

Designed with ample highlight headroom, the Sigma FP2 delivers rich tonal gradation even in high-contrast environments. With 7 stops of headroom secured at ISO 1250 and above, it offers greater freedom for color grading in post-production.

*2 When using 4K FF L-Log.

The Sigma FP2 supports 32-bit float audio recording, reducing noise at low volumes and clipping at high volumes for recording with a wide dynamic range.

*3 When the optional HU-21 hot shoe unit is attached and the Panasonic DMW-XLR2 and DMW-DMS1 are used.

The Sigma FP2 supports Apple ProRes RAW, which combines a high degree of editing flexibility with the efficient data handling of compression. It also supports L-Log from Leica Camera AG , which can be edited directly in a wide range of grading software, accommodating a diverse range of workflows.

The Sigma FP2 is equipped with a Director’s Viewfinder function that can simulate the shooting ranges of various brands’ cinema cameras. In addition to the desqueeze display mode for use with anamorphic lenses, the FP2 now supports the latest equipment, including the ARRI ALEXA 35 and Sony VENICE 2 / BURANO. The LCD Viewfinder LVF-21 (sold separately) is also available, allowing users to reliably check the view on the optical axis.

New

FP2

Available mounts

  • L-Mount

Model

Sigma FP2
Sigma FP2 + 50mm F2 DG | Contemporary
Sigma FP2 + ELECTRONIC VIEWFINDER EVF-21

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  • Top-class performance in the world’s smallest body
  • A full-fledged cinema camera at the flip of a switch
  • Accessories for greater expandability
  • Product Name

    Sigma FP2

  • Type

    Type

    Interchangeable-lens Mirrorless Type Digital Camera


    Memory Media

    Internal Memory (Approx. 70 GB), SDXC memory card (UHS-Ⅱ supported), Portable SSD (USB 3.2 connection, USB bus power supported)


    Lens Mount

    L-Mount

  • Image Sensor

    Type

    35 mm full-frame (35.9 mm x 23.9 mm) partially stacked CMOS sensor


    Camera Effective Pixels / Total Pixels

    Approx. 24.5 MP / Approx. 26.8 MP


    Aspect Ratio

    3: 2


    Still Image File Format

    Lossless compression RAW (DNG) data 14 bit / JPEG (Exif3.0), RAW (DNG) + JPEG recording is possible


    Image Aspect Ratio

    [21:9], [16:9], [3:2], [A Size], [4:3], [6x7], [1:1]

  • File Size

    RAW

    6016 x 4012


    JPEG

    6016 x 4012

  • Crop

    3840 x 2560 (Equivalent to Approx.1.5 times the focal length)

  • Movie Recording Format

    Movie Format

    Apple ProRes RAW HQ, Apple ProRes RAW (12bit) / MOV: H.264, H.265, L-Log


    Audio Format

    Linear PCM (4ch 96 kHz, 2ch 192 kHz / 24 bit), Float (4ch 96 kHz, 2ch 192 kHz / 32 bit)


    Record Format / Frame rate

    6K* / 23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94 fps *Cannot be used in conjunction with EIS
    4K / 23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94 fps (100 fps and 119.88 fps are also supported in Crop mode)
    2K / 23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 100, 119.88 fps
    *47.95fps:Apple ProRes RAW HQ /Apple ProRes RAW only; 48 fps: Not available in H.264.
    *Apple ProRes RAW HQ / Apple ProRes RAW: Up to 6K 29.97 fps.


    Video Aspect Ratio

    [3:2], [16:9], [17:9], [4:3] *2K: [16:9] only


    Continuous Shooting Enable Time

    2 hours

  • Focus

    AF System / Focus Mode

    Image Plane Phase-Detection AF + Contrast detection system / Single AF, Continuous AF, Tracking AF, Manual Focus


    AF Sensitivity Range / AF Area

    -5~18 EV (F1.4: ISO 100) / 6-steps


    Other Focus Functions

    Subject Tracking AF (Human / Dog + Cat + Bird, with Eye AF), AF+MF, MF Magnification, Focus Peaking, Release / Focus Priority, Focus Ring Control (Non-linear, Linear)

  • Exposure Control

    Metering System

    Evaluate, Spot Metering


    Metering Range

    -5~18 EV (50 mm F1.4: ISO 100)


    Still Shooting Mode

    (P) Program AE, (S) Shutter Speed Priority AE, (A) Aperture Priority AE, (M) Manual


    Movie Shooting Mode

    (P) Program AE, (S) Shutter Speed Priority AE, (A) Aperture Priority AE, (M) Manual


    ISO Sensitivity (Recommended exposure value)

    Base ISO
    [Still] ISO 320 / 2500
    [Movie] MOV: ISO 320 / 2500, Log / RAW: ISO 1250 / 10000


    Settable Range
    [Still] ISO 100-102400 / Expanded sensitivity ISO 6, 12, 25, 50
    [Movie] MOV: ISO 100-102400
    Log / RAW: ISO 1250-102400 / Expanded sensitivity ISO 320, 640


    Exposure Compensation

    ±5 EV (in 1/3 stop increments)


    AE Lock

    Half-press the shutter button, or press the AEL button (setting change required)


    Exposure Bracket

    3 shots, 5 shots stage exposure 3EV (1/3 Step, Standard→Underexposure→Overexposure) (Sequence changeable)


    Exposure Assist

    Brightness Level Monitor (Waveform, Histogram ), Zebra Pattern, False Color

  • Image Stabilization System

    Electronic Image Stabilization (EIS) for Video Only

  • White Balance

    9 types
    (Auto, Auto [Lighting Source Priority] , Incandescent, Fluorescent, Daylight, Overcast, Flash, Shade, Manual [50 K steps]) , Custom 1-10 settings can be added

  • Shutter

    Electronic shutter


    Shutter Speed

    1/25600 - 30 seconds, Bulb (up to 5 minutes)


    Self Timer

    2 sec., 10 sec.

  • Drive

    Drive Modes

    Single Capture, Continuous, Self-timer, Interval Timer (Movie output availiable), Exposure Bracketing, Focus Bracketing, White balance Bracketing


    Continuous Drive Speed

    20 fps, 8 fps, 5 fps, 3 fps


    Number of Recordable Frames

    20 fps: JPEG 200 frames, DNG 180 frames
    8 fps: JPEG 3000 frames, DNG 630 frames

  • Monitor

    Type / Coverage

    Tilting TFT color LCD, Aspect Ratio 3:2, 3.15 type, Approx. 2.1M dots , Electrostatic capacitance system touch panel / Approx. 100%


    Angle Adjustment

    Approx. +90~-45 degrees

  • Color Mode

    13 types
    Standard, Rich, Calm, Powder Blue, Warm Gold, Teal and Orange, FOV Classic Blue, FOV Classic Yellow, Forest Green, Sunset Red, Cinema, 709 Look, Monochrome

  • Flash

    Flash Mode

    TTL Auto Exposure, Manual Flash, Wireless Flash, Multi Flash


    Optional Functions

    Red-eye Reduction, Slow Synchronization, Rear Curtain Synchronization


    Flash Exposure Compensation

    Max. ±3 EV in 1/3 EV step increments


    Flash Sync. Speed

    Max. 1/50 sec.
    * 1/60 sec. or less at crop mode


    External Flash Support

    Available when the HOT SHOE UNIT HU-21 is mounted. (shares specifications with OM System / Lumix)

  • Director’s Viewfinder

    Supported Cameras

    ARRI: ARRICAM / ARRIFLEX, ALEXA LF / ALEXA Mini LF, ALEXA Mini, AMIRA, ALEXA 35 Xtreme
    SONY: VENICE / VENICE 2 6K, VENICE 2 8K, BURANO
    RED: MONSTRO 8K, HELIUM 8K, DRAGON 6K, EPIC MX 5K, GEMINI 5K, V-RAPTOR XL [X], KOMODO X


    Desqueeze Ratio

    1.25x, 1.3x, 1.33x, 1.5x, 1.6x, 1.65x, 1.8x, 2.0x

  • Other Function

    Save / Load Settings via QR code, Screenshot, Webcam, In-camera DNG Development, Still image capture from recorded movie files, Fill Light (Supports only in-camera DNG Development), Gyroflow support

  • Built-in Microphone / Speaker

    Stereo Microphone, Monaural Speaker

  • Display Language

    English, Japanese, German, French, Spanish, Italian, Simplified Chinese, Traditional Chinese, Korean, Russian, Dutch, Polish, Portuguese, Danish, Swedish, Norwegian, Finnish

  • Interface

    USB

    Port 1: USB 2.0 Type-C (UAC, Cable Release, EVF, Charging / Power Delivery)
    Port 2: USB 3.2 Type-C (Mass Storage, UVC, UAC, Cable Release, Charging / Power Delivery)


    HDMI

    Type A (Ver.2.1)


    REMOTE

    Cable Release (via USB)


    Timecode Input

    Also used as an external microphone terminal


    External Microphone Terminal

    Φ3.5 mm stereo mini jack (Plug-in power support), USB (UAC 2.0 support)


    Headphone Output Terminal

    Supported via USB


    Flash-synchro Terminal

    Dedicated terminal (with HOT SHOE UNIT HU-21 mounted)

  • Dust and Splash Resistant Structure*

    Provided
    *Although this construction allows the camera to be used in light rain, it is not the same as being waterproof.

  • Power

    Li-ion Battery Pack BP-91, USB PD*, DC CONNECTOR CN-91*
    * USB AC adapter supporting 27W or higher is recommended.


    Number of Recordable Still Images

    Approx. 370 images


    Minutes of Recordable Movie Shooting

    Approx. 130 min.

  • Dimensions and Weight

    Dimensions (W x H x D)

    Approx. 112.8 x 69.9 x 41.8 mm / 4.4 x 2.8 x 1.6 in.


    Weight

    Approx. 460 g / 16.2 oz. (including SD card and battery) , Approx. 376 g / 13.3 oz. (Camera Body Only)

  • Operating Environment

    Operating Temperature

    32 to 104 °F / 0 to + 40 °C


    Operating Humidity

    85 % or less (non-condensing)

  • Supplied Accessories

    POUCH


    LI-ION BATTERY PACK BP-91


    STRAP


    STRAP HOLDER SH-11


    BODY CAP


    Start Guide


    Limited Warranty


    Warranty Sticker

  • Optional Accessories

    HAND GRIP HG-11


    ELECTRONIC VIEWFINDER EVF-21


    LCD VIEWFINDER LVF-21


    BASE PLATE BPL-21


    HOT SHOE UNIT HU-21


    CABLE RELEASE CR-51


    BATTERY CHARGER BC-91


    DC CONNECTOR CN-91


    STRAP HOLDER SH-11 (2pcs)

    • Camera

      Sigma FP2

    • Shutter Speed

      1/1600s

    • Lens F Number

      F9

    • ISO

      400

    • Focal Length

      90mm

    • Photographer

      Mina Daimon

    • Camera

      Sigma FP2

    • Shutter Speed

      1/3200s

    • Lens F Number

      F2.8

    • ISO

      400

    • Focal Length

      90mm

    • Photographer

      Mina Daimon

    • Camera

      Sigma FP2

    • Shutter Speed

      1/10000s

    • Lens F Number

      F2

    • ISO

      400

    • Focal Length

      50mm

    • Photographer

      Mina Daimon

    • Camera

      Sigma FP2

    • Shutter Speed

      1/125s

    • Lens F Number

      F3.5

    • ISO

      800

    • Focal Length

      57mm

    • Photographer

      Mina Daimon

    • Camera

      Sigma FP2

    • Shutter Speed

      1/1600s

    • Lens F Number

      F2.8

    • ISO

      400

    • Focal Length

      105mm

    • Photographer

      Naoki Miyashita

    • Camera

      Sigma FP2

    • Shutter Speed

      1/50s

    • Lens F Number

      F2.8

    • ISO

      3200

    • Focal Length

      70mm

    • Photographer

      Naoki Miyashita

    • Camera

      Sigma FP2

    • Shutter Speed

      1/125s

    • Lens F Number

      F1.2

    • ISO

      400

    • Focal Length

      50mm

    • Photographer

      Naoki Miyashita

    • Camera

      Sigma FP2

    • Shutter Speed

      1/400s

    • Lens F Number

      F8

    • ISO

      400

    • Focal Length

      136.9mm

    • Photographer

      Naoki Miyashita

    • Camera

      Sigma FP2

    • Shutter Speed

      1/10000s

    • Lens F Number

      F5.6

    • ISO

      800

    • Focal Length

      500mm

    • Photographer

      Masami Tanaka

    • Camera

      Sigma FP2

    • Shutter Speed

      1/20s

    • Lens F Number

      F11

    • ISO

      800

    • Focal Length

      1000mm

    • Photographer

      Masami Tanaka

    • Camera

      Sigma FP2

    • Shutter Speed

      1/60s

    • Lens F Number

      F5.6

    • ISO

      1000

    • Focal Length

      500mm

    • Photographer

      Masami Tanaka

    • Camera

      Sigma FP2

    • Shutter Speed

      1/5000s

    • Lens F Number

      F5.6

    • ISO

      640

    • Focal Length

      500mm

    • Photographer

      Masami Tanaka

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